FLIXACTING is as an ideal companion to complement a classroom experience as well as a superb standalone guide for aspiring professional actors to hone their craft. Viewing the film clips in tandem with reading the text allows actors and students to assimilate basic Acting skills more quickly and thoroughly. The numerous exercises and games in each chapter provide the actor and the instructor with exciting and fun tools to further the learning experience.
FLIXACTING IN A NUTSHELL:
BACKGROUND OF ACTOR TRAINING
A brief overview of the history of actor training and the rise of the Stanislavski System. (Includes clips from The Sheik, The Kid)
CIRCUMSTANCES
Comprehending and utilizing the events, people, and relationships connected with your character as the engine that drives the actor’s choices throughout a film or play. (Includes clips from To Kill A Mockingbird, Gone With the Wind and more)
RESEARCH
Learn to investigate the political, economic, social, religious, and cultural issues of the historical period and locale of the script, including all aspects of the character, which must be explored by the actor. (Includes clips from The French Lieutenant’s Woman)
CHARACTER
Become skilled at finding and using the emotional, psychological, and physical elements of a character. (Includes clips from A Room with a View, Mean Girls and more)
RELATIONSHIPS
Discover how to use the circumstances of the story, as well as your fertile imagination, to create full, three-dimensional relationships with all other characters in a film or play. (Includes clips from Friends with Kids, The Way Way Back)
ENVIRONMENT
Become competent in creating a thorough sensory connection to the physical setting of a scene, which frees the actor from tension, stimulates the creative imagination and conditions character behavior. (Includes clips from Romeo and Juliet, All the President’s Men)
OBJECTIVES
Apprehend how to identify and pursue the individual needs, wants and desires of your character throughout the course of a film or play. (Includes clips from One Flew Over the Cuckoo’s Nest, Lincoln and more)
OBSTACLES
Ascertain how to identify the problems, impediments, and stumbling blocks that your character encounters in the story, to overcome them and achieve your character’s goals. (Includes clips from The King’s Speech, 127 Hours and more)
ACTIONS
An exploration of the varied verbal and physical behavior of your character, which will give your acting specificity, variety, and range. (Includes clips from Who’s Afraid of Virginia Woolf, A Streetcar Named Desire and more)
BEATS
Perceive how to break a script down into units, providing you with a clear understanding of the arc of your character’s journey in each and every scene. (Includes a clip from The Social Network)
PERSONALIZATION
Decipher the three possible methods of getting into the skin of your character, creating an unwavering belief, not only in the role, but also in the character’s circumstances, relationships and needs. (Includes clips from Tootsie, Brokeback Mountain and more)
EMOTIONAL LIFE
Learn to honestly access your character’s emotions, tying it continually to character interactions. (Includes clips from Terms of Endearment, The Kids Are All Right and more)
IMAGERY
Discern how to image your character’s words, using components of the five senses to transform dialogue into the living, breathing embodiment of character memory, emotion, and intent. (Includes a clip from Sideways)
INNER MONOLOGUE
Learn to connect with your character’s unspoken thoughts in every scene, enabling a free-flowing performance. (Includes a clip from Psycho)
SUBTEXT
An examination of the true, full, real — and sometimes hidden — meaning of your character’s dialogue, creating an exciting and revealing performance. (Includes a clip from Ordinary People)
SECONDARY ACTIVITY
Discover the usefulness of an ongoing physical activity, serving to ground the actor in the scene and eliminating nervousness. (Includes clips from On the Waterfront, All About Eve)
PHYSICAL CONDITIONS
Learn how to convincingly incorporate extreme physicality such as fatigue, inebriation, and headache into your acting. (Includes clips from Mr. Smith Goes to Washington, Blue Jasmine)
SENDING AND RECEIVING
Perfect the art of honest moment-to-moment listening and responding in order to ensure a new and fresh performance for every take or scene. (Includes clips from Silver Linings Playbook)
TASK FOR UNDERSTANDING
Each chapter contains a section which includes not only acting exercises, but also games, improvisations, advice, and recommendations. Some are physical and vigorous, some quiet and cerebral, some exhilarating and thrilling, and some focused and interactive. But all Tasks for Understanding are engaging, stimulating, and formulated to facilitate the growth of the actor and acting student.
Perusal Copies
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